Tags: #🧩 #📜
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Es gibt KampfkĂĽnste, die sich ausschliesslich auf Gelenkhebel konzentrieren und vergessen, dass ein Angreifer unter Drogen oder einfach mit sehr viel Adrenalin angreifen kann. Wer nicht bereit ist, das Gelenk zu brechen, bei dem funktioniert der einfache Hebel vielleicht nicht. Ausserdem erwischt man das Gelenk in einer echten Situation nicht so leicht. Deshalb: Den Hebel trainiert man mit Freunden, um in einer echten Situation den Bruch anzuwenden. Der Bruch oder der zugefĂĽgte Schaden bremst den Angreifer ausserdem und gibt einem die Gelegenheit zu weiteren Aktionen.
Luke Holloway: “Pain equals Compliance”.
## Hebel, BrĂĽche, Takedowns im Silat
> Here are some demonstrations of Silat’s simple and yet highly vicious (some of them at least) joint dislocation, bone breaking and takedown techniques.
> Note how, in the fourth example, he steps down on his opponent’s foot and then pushes his arm up into the joint. That is not a fun position to be in. He’s literally making his opponent decided whether he forsakes the use of his arm or the use of his foot as if he steps back to relieve his shoulder/arm, he probably breaks his ankle. But, in the time it takes to decide and react, he follows up the hold with a kick in the balls anyway.
> Another key element is being able to transition from hold to hold (last gif). Here he hits with an elbow to the arm joint - weakening it substantially - controls the arm by bringing it down and around and then with a cheeky, controlling nudge of the shoulder joint brings him into a full arm lock.
> His opponent could choose to use his other hand to attack but with his head at perfect knee height, he’d probably be unconscious within seconds if he tried.
> I’m not trying to give an obnoxious play-by-pay here. I’m just trying to emphasize the minutiae of the style, no matter how simple.
> Bodies are easily controlled if you have the knowledge. Certain joints just aren’t meant to go certain ways and, with the right pressure, no matter how minimal, a person’s body can be manipulated…and ultimately put dow[…]
Locks sind abgeschwächte Versionen von Zerstörungen und Brüchen «auf dem Weg». Es gibt sie nur im Training und im Sport.
## Seminar-Notizen: Brechen
- Immer mit Schulter- und Körperdrehung brechen.
- Jeder Hebel mit Squat – den Körper nach unten, das macht den Hebel.
- Inside-Block, auf die Schulter ableiten, die andere Hand von unten auf den Ellbogen dahinter (Lock) – in echt wie ein Schlag zum Brechen Richtung Mittellinie, über den Kopf + Squat.
- Bricht es nicht: die Hände zusammenhalten, zwischen die Hüften ziehen, die obere Handfläche auf die untere, den Fuss nach hinten, das Knie dazu (langsam) --> Bruch.
- Greift der Gegner beide Handgelenke: beide Hände nach aussen drehen und zusammen zur Mitte führen --> Lock.
- Wird ein Arm gehebelt: mit dem anderen an den Kopf, den Kopf umfassen und hebeln.
## Der Schulterhebel gehört nicht nur dem BJJ (Maul Mornie)
> I have seen in a few martial arts discussions that claims any other martial arts system if they are seen doing this shoulder joint lock, they stole it from Brazilian Jiu Jitsu, a technique in BJJ called the Omoplata.
> To be honest this shoulder joint lock technique is not exclusive to BJJ.
> It exist in many traditional martial arts, with different intent in mind.
> It’s just more commonly seen in BJJ because there are BJJ schools everywhere in the west and are more exposed. While traditional schools are not as popular, so less people see it done outside of BJJ.
> In Silat you can get into this shoulder joint lock in different ways with different intents.
> Once you understand the concept and mechanics of any lock you can enter and transition into it in many ways.
> As an analogy, the letter “A” once you are familiar with this character, you can write it forwards, backwards, upside down, long hand, short hand or with different fonts, it’s still the letter “A”, the character and phonics sound of this letter does not change, regardless.
> I did this joint lock once in one of my many training sessions. I did 6 variations with 6 different entries.
> Then suddenly I was stopped during 1 of the variation and someone said, “that’s from BJJ, are you sure thats silat?”; I didnt even know how to answer his question.
> I assumed he only saw one way of how the letter “A” was written, so if anyone else wrote “A” like that, then the handwriting was stolen from someone else.
> This is why it’s important to understand techniques and not just copy and imitate techniques in the martial arts.
Quelle: https://www.facebook.com/maul.mornie/posts/10163547169980150