Tags: #👥 #🥋 #🏗️
References:
Quellen: [[Silat]]
---
Check:
```mermaid
sequenceDiagram
participant A
participant B
A->>B: L-Hand hält den Kopf, R-Jab darauf
A->>B: L-Hand zurĂĽck in die Low-Chamber --> L-Push auf die Brust
A->>B: R-Hand zurĂĽck in die Low-Chamber --> Finisher
```
## Solo: Buah-Pukul-Drill
R-Hand vor der L-Schulter gechambert + L-Hand vor der L-HĂĽfte gechambert | L-BH-Hack in die Chamber vor der R-HĂĽfte + L-Low-Hit in die Chamber vor der R-Schulter | L-BH-Slap in den Shield + R-Hand gechambert vor der R-Schulter | R-Slap in die Chamber an der L-Schulter + L-Hit in die Chamber vor der R-HĂĽfte | R-BH-Hit in die R-Chamber vor der L-Schulter + L-High-Hit in die Chamber vor der R-HĂĽfte
Anmerkung: Laut Lillebjörn entweder Gelek oder «Gayang» (Sway).
## Solo: Ellbogen in den Buah Pukul
R-Rippen-Hit --> R-Ellbogen in die L-Hand + L-Gelek --> ½ R-Gelek (normale Position) + R-BH-Hit + L-Front-Slap --> L-Ellbogen in die R-Hand + R-Gelek …
## Partner: Buah-Pukul-Drill
```mermaid
sequenceDiagram
participant A
participant B
Note over A,B: B greift links/rechts an - A hat die R-Hand vor der L-Schulter, die L-Hand vor der L-HĂĽfte gechambert
B->>A: R-Jab
A->>B: R-Shield-Hit + R-Gelek + L-Ellbogen auf B_R-Arm --> L-BH-Hit + Clearing + Step in die Mitte
B->>A: L-Jab
Note over A,B: … und weiter
```
## Buah Pukul in den Forward-Sapu
```mermaid
sequenceDiagram
participant A
participant B
B->>A: R-Jab
A->>B: R-Shield-Hit + R-Gelek + L-Ellbogen auf B_R-Arm --> L-BH-Hit + Clearing Richtung B_L-HĂĽfte
B->>A: L-Jab
A->>B: L-Salut-Ellbogen auf B_L-Arm + L-Fuss hinter B_R-Fuss --> L-Push-Ellbogen auf B, um Raum zu schaffen
```
- Option: L-Overhead-Hit auf B_R-Schulter/Kopf + L-Forward-Sapu
## Buah Pukul auf den Arm in den Overhook
Ausserhalb eines festen Ablaufs: A greift mit BH oder Jab an, B blockt mit dem Unterarm --> A rollt ĂĽber/in den Buah Pukul und setzt die Rolle in einen Overhook am blockenden Arm fort.
## Tradition im Buah Pukul
> What is traditional and what signifies a traditional system?
> There is a saying in the buah pukul tradition, akal budi bicara, it means as long as it follows your common sense or as long as you follow a good plan.
> This means that as long as what you do (a technique for example) follows the good plan i.e is something that works and is founded in the principles of buah pukul (like “tidak hendak kena dan hendak mengena" , to hit and not get hit) thus meaning you cover yourself while going in and exiting it is in the tradition of buah pukul.
> This is why what I do can deviate a bit from what my teachers do and it's still following the tradition of buah pukul. In this sense we are free to explore and do and use what we find useful even though it's not in the core curriculum.
> In a way you could say that our tradition is to deviate from tradition. E.g I do knife in my buah pukul, I've never learned knife from my buah pukul teachers, but they say as long as it is akal budi bicara, it's buah pukul. Since I follow and utilize the concepts of buah pukul when doing my knifework. My knife comes in part from the kuntao and I do it in a buah pukul way, this makes it buah pukul.
> So am what I'm doing traditional? In a way yes.
> I strongly believe that this was the tradition of most systems, each teacher and student contributing to the whole according to their experiences and abilities. This is how they all developed and became unique.
> To my mind being traditional is not being a slave to tradition. But being founded in tradition and guided by it in my own development. Atleast this appeals to me as a free thinking individual strongly and it allows me to freely experiment and evolve through the guidance of my teachers and the tradition they come from.
> Also it opens the system for new input and keeps it from becoming static. All practitioners bring with them their own experience and uniqueness. And allowing for this keeps the system dynamic, vibrant and strong.
> These are my views on this topic. What are yours?
## Buah-Pukul-Abwehr gegen Jab/Cross (Training 13.09.2020)
```mermaid
sequenceDiagram
participant A
participant B
B->>A: Jab/Cross
Note over A,B: Variante 1 - X-Hack
Note over A,B: Variante 2 - 2Ă— Hack
Note over A,B: Variante 3 - Outside- + Inside-Hack
```
## Elbow into Buah Pukul (Silat Lian Ilham, Training 06.02.2020)
```mermaid
sequenceDiagram
participant A
participant B
B->>A: Jab
A->>B: Pass
B->>A: Cross
A->>B: R-Shield in den Griff + Jurus 1 auf den Bizeps
A->>B: L-Ellbogen zum Kopf --> Buah Pukul auf die Brust
```
## Buah-Pukul-Drills (Training 25.07.2019)
**Solo 1:** R-Hand in der Chamber vor der L-Schulter, L-Hand vor der L-HĂĽfte.
```mermaid
flowchart TD
S0["L-BH-Hack in die Chamber vor der R-HĂĽfte + L-Low-Hit in die Chamber vor der R-Schulter"]
S1["L-BH-Slap in den Shield + R-Hand in die Chamber vor der R-Schulter"]
S2["R-Slap in die Chamber L-Schulter + L-Hit in die Chamber vor der R-HĂĽfte"]
S3["R-BH-Hit in die Chamber vor der L-Schulter + L-High-Hit in die Chamber vor der R-HĂĽfte"]
S0 --> S1 --> S2 --> S3
```
**Partner 1**
```mermaid
sequenceDiagram
participant A
participant B
B->>A: R-Jab
A->>B: R-Shield-Hit + R-Gelek + L-Ellbogen auf B_R-Arm
A->>B: L-BH-Hit + Clearing + Schritt in die Mitte
B->>A: L-Jab - weiter im Wechsel
```
**Buah Pukul into Forward Sapu**
```mermaid
sequenceDiagram
participant A
participant B
B->>A: R-Jab
A->>B: R-Shield-Hit + R-Gelek + L-Ellbogen auf B_R-Arm
A->>B: L-BH-Hit + Clearing zu B_L-HĂĽfte
B->>A: L-Jab
A->>B: L-Salut-Ellbogen auf B_L-Arm + L-Fuss hinter B_R-Fuss
A->>B: L-Push-Ellbogen, um Raum zu schaffen --> Forward Sapu
```
Option: L-Overhead-Hit auf B_R-Schulter/Kopf + L-Forward-Sapu.